POP – Finkel and Kidd [no ARC]

April 17, 2017

From this week’s report.  The Stranger in the Woods has finally broken out of its holds ratio and is getting additional copies. Himself was an utter blindside – a debut set in Ireland in the 1970’s, the novel wins praise from reviewers for being a fresh voice couched in whodunit mystery form.

 

Finkel, Michael.  The Stranger in the Woods. Knopf, March 7.

The Stranger in the Woods

For readers of Jon Krakauer and The Lost City of Z, a remarkable tale of survival and solitude–the true story of a man who lived alone in a tent in the Maine woods, never talking to another person and surviving by stealing supplies from nearby cabins for twenty-seven years. In 1986, twenty-year-old Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the woods. He would not have a conversation with another human being until nearly three decades later when he was arrested for stealing food. Living in a tent even in winter, he had survived by his wits and courage, developing ingenious ways to store food and water, to avoid freezing to death. He broke into nearby cottages for food, clothes, reading material, and other provisions, taking only what he needed, but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of the why and how of his secluded life–as well as the challenges he has faced returning to the world. A riveting story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded”–Publisher description. 

 

Himself

Kidd, Jess.  Himself. Atria, March 14.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother’s disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened twenty-six years ago. From the moment he sets foot in Mulderrig, Mahony’s presence turns the village upside down. His uncannily familiar face and outsider ways cause a stir amongst the locals, who receive him with a mixture of excitement (the women), curiosity (the men) and suspicion (the pious). Determined to uncover the truth about what happened to his mother, Mahony solicits the help of brash anarchist and retired theater actress Mrs. Cauley. Together, this improbable duo concoct an ingenious plan to get the town talking, aided and abetted by a cast of eccentric characters, both living and dead. Because in Mulderrig, ghosts can be just as chatty and opinionated as the town’s flesh and blood residents. Mahony’s investigation incurs the wrath of sanctimonious Father Quinn and the Widow Farelly, provokes letter bombs and poisoned scones, and culminates in a riotous production of the most controversial play in Irish history. Himself is a simmering mixture – a blend of the natural everyday and the supernatural, folklore and mystery, and a healthy dose of quintessentially Irish humor. The result is a darkly comic crime story in the tradition of a classic Irish trickster tale, complete with a twisting and turning plot, a small-town rife with secrets and an infectious love of language and storytelling that is a hallmark of the finest Irish writers”– Provided by publisher.

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